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Prof. Dr. Kadir Can DİLBER Kırşehir Ahi Evran Üniversitesi, Türkiye
| Makale Türü |
Özgün Makale
(Uluslararası alan indekslerindeki dergilerde yayınlanan tam makale)
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| Dergi Adı | İdil Sanat ve Dil Dergisi | ||
| Makale Dili | – | Basım Tarihi | 01-2019 |
| Cilt / Sayı / Sayfa | 8 / 55 / 303–312 | DOI | – |
| Makale Linki | https://www.ceeol.com/search/article-detail?id=778446 | ||
| UAK Araştırma Alanları |
Almanca Karşılaştırmalı Edebiyat
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| Özet |
| In addition to the semantic depth of the Word of time, the spaces created in the thought system reveal the size of the immenseness of the concept, and in all areas, from cinema to visual arts and from visual arts to literature, their effects are felt deeply. The fact that the boundaries of the concept cannot be drawn precisely influences the relativity of the existed “moment”, drives memory to a dark point between consciousness and unconscious by a descent into emotion, thought and intuition with his existential dimension. While Einstein’s relativity strengthens the uncertainty of the concept of time, the existence of dimensional differences produces paradoxes within itself. The nature of the works of art that appear in the war of art with time or manifest against it imprisons the paradoxes to the limits of memory. The concept that Wells is trying to overcome with the time machine is reduced to “zero time” in Calvino. Time which … |
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