| Yazarlar (1) |
Dr. Öğr. Üyesi Ahmet Emin BÜLBÜL
Kırşehir Ahi Evran Üniversitesi, Türkiye |
| Özet |
| This article examines the physical and bodily aspects of superimposition in The Wonder Ring (Stan Brakhage, 1955) and As Without So Within (Manuela de Laborde, 2016). Creating a dialogue between Gene Youngblood’s concept of synesthetic cinema and Karen Barad’s idea of agential realism, I suggest doing a new materialist phenomenology to better grasp the ways the films experiment with more-than-human worlds. In particular, I identify superimposition as an intra-action through which grades of dissimilarity arise, vary and shape an entangled experience. My main argument is that in the decentered compositions of Brakhage’s and de Laborde’s works, the singularity of image, its temporal, spatial, corporeal and material dimensions vanish into an inescapable multiplicity. It is not just a pose, but a matter of juxtaposition in which there is no sense of superiority, perception lacks any predominant center, we are … |
| Anahtar Kelimeler |
| Makale Türü | Özgün Makale |
| Makale Alt Türü | SSCI, AHCI, SCI, SCI-Exp dergilerinde yayınlanan tam makale |
| Dergi Adı |
Film-Philosophy
|
| Dergi ISSN | 1466-4615 Wos Dergi Scopus Dergi |
| Dergi Tarandığı Indeksler | AHCI |
| Makale Dili | İngilizce |
| Basım Tarihi | 10-2025 |
| Cilt No | 29 |
| Sayı | 3 |
| Sayfalar | 753 / 777 |
| Doi Numarası | 10.3366/film.2025.0328 |
| Makale Linki | https://doi.org/10.3366/film.2025.0328 |
| Atıf Sayıları |
