| Yazarlar (1) |
Prof. Dr. Salahaddin BEKKİ
Kırşehir Ahi Evran Üniversitesi, Türkiye |
| Özet |
| In Anatolia, every piece performed with a melody is referred to as a türkü (folk song). A türkü consists of two components: the melody and the lyrics. While the lyrics fall within the domain of literary studies, the melodic aspect is examined by musicology. This study explores the transformation of products of the minstrel (âşık) poetic tradition into bozlak, a type of uzun hava (free-rhythm folk song), through their technical features that can be audibly perceived and visually observed when transcribed. The scope of this study comprises poems by Dadaloğlu, known as a tribal minstrel, and Âşık Said of Toklumen, renowned in the region of Kırşehir and its surroundings, which have been adapted and performed as bozlak by abdal-composer-performers such as Muharrem Ertaş and Neşet Ertaş. The study selects as examples the compositions “Ağ Gelin (Oturmuş Ağ Gelin Taşın Üstüne)” and “Yağmur Yağdı Yine Bulandı Hava … |
| Anahtar Kelimeler |
| Makale Türü | Özgün Makale |
| Makale Alt Türü | MLA dergilerinde yayınlanan tam makale |
| Dergi Adı | Türk Folklor Araştırmaları |
| Dergi ISSN | 3023-4670 |
| Dergi Tarandığı Indeksler | MLA |
| Makale Dili | Türkçe |
| Basım Tarihi | 07-2025 |
| Sayı | 371 |
| Sayfalar | 75 / 88 |
| Doi Numarası | 10.61620/tfa.71 |
| Makale Linki | https://turkfolklorarastirmalari.com |
| Atıf Sayıları |
