Looking For Tanpinar’s Previous Time Dresses in Poe’s Ligeia and Note in Bottle Stories
      
Yazarlar (1)
Prof. Dr. Kadir Can DİLBER Kırşehir Ahi Evran Üniversitesi, Türkiye
Makale Türü Açık Erişim Özgün Makale (ESCI dergilerinde yayınlanan tam makale)
Dergi Adı LITERA-JOURNAL OF LANGUAGE LITERATURE AND CULTURE STUDIES
Dergi ISSN 1304-0057 Wos Dergi Scopus Dergi
Dergi Tarandığı Indeksler MLA, Emerging Sources Citation Index (ESCI)
Makale Dili İngilizce Basım Tarihi 01-2018
Cilt / Sayı / Sayfa 28 / 1 / 53–69 DOI 10.26650/LITERA424731
Makale Linki http://litera.istanbul.edu.tr/en/yazi/10-26650-litera424731-5A00610049003400460053006A00510051006B0055003100
Özet
Considering the scope and extended boundaries of world literature, we can see that literary works advance through each other's influence, and each work of art adds innovation to the text by introducing a style, a form drawn from the author's previous work, thus each written text becomes the preliminary stage of another text. This preliminary preparation stage progresses psychologically and is based on the concept of time in the consciousness-unconsciousness plane. First, under the leadership of Bakhtin, who combined the concepts of time and space with the word "chronotope" and based on Edgar Allan Poe's "MS. Found in a Bottle" story, we will attempt to decode the codes of the imaginary journey within Tanpinar's "Past Time Dresses:'Also accompanied by the concept of"anima"of Carl Gustav Jung, who adorned the common universes of two authors, the woman who is a myth in Poe's "Ligeia"will be evaluated comparatively with her appearance in the art-mother cloak in Tanpinar's imaginary creation called "keti".
Anahtar Kelimeler
Ahmet Hamdi Tanpinar | Edgar Allan Poe | Past Time Dresses | MS. Found in a Bottle | Ligeia